Friday, December 23, 2022

Lying in space: My time in a clinical trial

2022 marked the first time that I participated in a clinical trial. Oftentimes, I feel unsure about participating in them. My condition is relatively mild – not that amenable to experimental therapeutics, which often have a significant risk involved. Truth be told, I needed a little bit of convincing.

 Back in March, a study coordinator reached out to me and explained the trial. After another conversation in April, I finally felt ready to consent for the trial. We arranged for me to participate over the days of December 20th and 21st, just before end of the year. For this reason, and others, I flew back from Ohio to Oregon just a week prior.

This clinical trial’s purpose was to use MRI scanning and functional tests to measure changes in muscle function and composition over two years. (Of course, the trial was specific to a few neuromuscular conditions, including my own condition (Becker muscular dystrophy). Across the two day period, the researchers collected a baseline of my muscles. On day 1, I received MRI scanning of the arm and leg. Day 2, by contrast, involved MRI scanning of the whole body and some functional tests.

Back in 2019, I had completed a cardiac MRI…with an incident. That time, unfortunately, they used contrast agent which prompted me to faint and need a few minutes to recuperate. This is especially unusual for me – I hardly ever faint unless something serious prompts it. Admittedly, I was a touch worried about this current MRI scan.

These worries were unfounded. On the first floor, I was greeted by the principal investigator and the study coordinator. The two of them wheeled me to the elevator and we went to a conference room. Here we reviewed the consent form, the study purpose, and the potential risks. Though generally safe, the MRI machine is capable of locally heating tissues due to the concentration of magnetic flux; furthermore, metal is not allowed. To my relief, no contrast agent would be used. Then I was taken to the MRI room on the same floor. The MRI technologist reviewed the same items with me.

There was still some prep work. My clothes had a zipper which meant I had to change into an MRI gown. The technologist told me to wear it “kimono style”, which I figured out after a few minutes. Even the metal in my mask posed a problem, so I was provided a cloth mask. For those who do not know, MRI machines are exceptionally noisy – earplugs and headphones were provided. Then I lay flat.

The technologist and two technicians had to position me with gray soft blocks and sandbags. That position made it possible to place the long piece containing the magnetic coil over the required area. I was then finally told to lie as still as possible with most of my body in the MRI “tunnel”. Here only my head poked out and I saw the screen. Light flashed on, and turned off. A dark screen appeared when the MRI was “acting”, which reminded me to keep still.

MRI machines are quite logical: they observe and they think. A pulse of sharp electronic sounds (observing) followed by a softer percussive beat akin to a drum machine (thinking). Total silence meant that the three people in the other room were reviewing the images. Of course, they communicated each pause as they happened.

The day 1 was eventful. Not long in, a pause seemed unnaturally long without any instructions. The voice came on again in my headphones. It turns out that a recent software update forced a reboot. As luck would have it, the fire alarm sounded, creating a ten-minute delay. I had to be taken out of position and wheeled away. The positioning had to be recreated once I was back. After a while, we finished with scanning my thigh and moved onto the upper leg. Then, to my surprise, I was taken out before we scanned the arm. They provided me a lunch break out of order. The clock read 12:07 (or so). Somehow, three hours had already passed. The discrepancy in timing arose because they took double the amount of images to be on the safe side. At a hospital café, I ate a pan pizza and conversed with the PI and the coordinator. Then back to the MRI. In light of the delay, they scanned my upper arm and skipped the forearm, putting me at around 4 hrs of MRI time.

Coincidentally, I arrived home to learn that the running water in the house had just stopped working. This did not pose a major problem to me, but it did add to the stressful hours of the clinical trial.

Day 2, by contrast, was a little more routine. I did not wear an MRI gown and kept my cloth mask and earplugs from the previous day. This time, though, they put my whole body into the MRI. My view was transfixed on the one item in sight: silver tape running along the middle. Combined with the sounds of the MRI, I felt like an astronaut, lying down in space. For this set of scans, I was moved in small fits and had to keep especially still. Even more than yesterday. The coil was placed at different points of my body. For some scans, they had me breathe normally and for others I had to hold my breath. Later in the process, the coil was placed on my chest directly, which seemed to heighten my anxiety a little bit. My heart palpitations somehow seemed louder. The last 15-20 minutes were difficult to stay still. I had to conjure up images of other places to keep my mind at ease.

I was quite relieved to be out of the tunnel. Maybe it is simply just the six hours total of being in an MRI. As a treat, one of the technicians showed me a few MRI scans. They said that the results looked good with an expected large peak for water and a small peak for lipid. (In other words, my muscles appeared healthy.) Next they took a blood draw – thankfully this was much kinder than my previous time just after an MRI.

Afterwards, I was treated to lunch like before. The PI explained that we would have some functional tests. These were classic tests: how long to climb 4 steps, how long to walk a certain distance, and how far you could walk in 6 minutes. The 6-minute walk test, as it is known, has a high variability because it can depend on motivation. For some reason, I decided to take the walk test at a brisk pace and cover a lot of ground. That put a lot of stress on my feet, making me feel a little tired. That was thankfully the very end of the testing.  

Just like that, we held our final debriefing. As I shared, the study was overall a pretty good experience for me. Getting to see a clinical trial as a subject helped me appreciate the work that goes into testing medical therapies and diagnostics. Even just arranging for participants to come for a study seemed quite involved. Indeed, I had flown across the country to be here. These are all details that are hard to appreciate at a distance.

For the mutually beneficial exchange, I received $100 and was wheeled to the entrance. The coordinator waited with me for the Uber. After an exciting two days, I was finally back home. My timing was excellent considering that the running water had very graciously just been restored. I took a shower and felt that I had accomplished some good in the world.

 

Wednesday, December 7, 2022

The new year strikes us once more: 2023 Resolutions

 1.     Volunteering

a.      Seek teaching and mentorship opportunities

                                          i.     Pursue through organizations such as Buckeye Brighters, Muscular Dystrophy Association, Fulbright, and others

                                        ii.     Get involved in accessibility work locally

2.     Health

a.      Medical: 

                                          i.     Keep regular with primary care, dentist, neurologist, cardiologist, physical therapist, and eye doctor

b.     Exercise

                                          i.     Daily 5 minute walk; yoga and leg stretches in morning and evening

c.      Cooking

                                          i.     Cook at least 5 days a week and clean dishes at least every other day

                                        ii.     Make at least one non-pasta vegetarian dish a week

3.     Recreational:

a.      Gaming

                                          i.     Shorter form: Ame no Marginal, Ori and the Blind Forest, Bastion

                                        ii.     Longer form: Umineko, Utawarerumono, World End Economica Episdoe 3, 25th Ward, the Silver Case, and Zero Escape

b.     Western shows

            i. Breaking Bad (maybe????)

c.      Anime

                                          i.     Precure:

1.     Complete GoPri

2.     Watch Smile and Hugtto

                                        ii.     Gundam

1.     0079

2.     Zeta

3.     ZZ

4.     X

                                      iii.     Rewatch Shinsekai Yori, Clannad, and Natsume

                                      iv.     Watch Cardcaptor Sakura

                                        v.     See 2 shows from the 70s, 80s, and 90s respectively

4.      AniFem:

a.      Finalize article proposed in 2022 (hopefully Ousama)

b.     Pitch and draft another Anifem article

5.      Blog

a.      Write 3 blog posts that are 2+ pages a year including the year end retrospective

6.     Toastmasters

a.      Attend Toastmasters weekly and hold a role at least twice a month

b.     Complete the Presentation Mastery path

7.     Language study

a.      Study Japanese

                                          i.     Learn up through N3 vocabulary and grammar

                                        ii.     Watch two one cour anime shows without subtitles

                                      iii.     Maintain conversational practice

b.     Study Urdu

                                          i.     Memorize alphabet

                                        ii.     Achieve basic conversational proficiency

Friday, December 2, 2022

Descending Stories: Rakugo in the Modern Era

Today was a bit unusual. For the first time, I got to see a rakugo performance in person, carried out on the stage below.

Someone came from elsewhere and demonstrated for us here in this city. The rakugo master, clad in vibrant purple, sat himself down on a maroon pillow. Of course, a microphone planted by his feet. However, he hardly needed the microphone, as evidenced by his exuberant activity throughout. Afterwards, there was a Q&A session where we learned all about how he approaches the art of rakugo. It was a fantastic hour and a half altogether. 

First up was the chief organizer who thanked all of us for coming. Then another person gave us a reminder of the history of rakugo, including its state as a form of comedy. She herself was a disciple of the rakugo master, which lent an intimacy to the evening. To prepare us, the master shared a couple short stories to introduce the basic concept of rakugo. One he called “the Monkey” where he depicted a monkey (apparently) crashing a car on a mountain, highlighting a tremendous vocal range.

Because of the prestige of rakugo, I almost expected a solemn act. Perhaps something not unlike the series Descending Stories, a beloved drama that exists in drawn and animated form. By contrast, Joshiraku is an exaggerated comedic take on rakugo. Today it finally stuck in my mind that rakugo can be performed as a bona fide comedy routine. I mean, he made monkey sounds, which is clearly one such element of comedic gold.

Today’s performance was split into two pieces: 1) The Grim Reaper and 2) The Goblin’s Temptation. The first was in English (though adapted from a Japanese piece) and the second in Japanese. Given that this master is much more confident in his Japanese, it was impressive that he took this approach. From the Q&A section, it became clear that he saw potential in the international reach of rakugo, even though he came from a traditional rakugo background. That allowed him to twist the performance and shock and inspire the audience.

The first story highlighted the value of props and voices as a narrative throughline. In the Grim Reaper, the master alternated between a character filled to the brim with hubris (a fake doctor in Depression-era New York) and a Grim Reaper (Shinigami as he was also named) that bore a deep, sinister voice. As the Grim Reaper, the master took on a mischievous grin, alerting us to a supernatural presence in the room. When the fan was used as a little stand, and the voice changed, the mild terror of death pierced the air. At the conclusion, the fan went from the Shinigami’s emblem to the man with excessive pride, to a mark of the man with a candle trying to add fire back to his life. This prop exposed the disconnect between the man’s real situation – on the verge of death – and his belief that he was far removed from the Grim Reaper.

In the second story, there was a steadier stream of characters, which highlighted the power of vocal expression and body language. Without my familiarity in English, I listened closely for the ways in which characters expressed their feelings. Subtitles were thoughtfully provided on the big screen, but the dynamic performance offered a challenge. Relying just on the words was no longer a possibility when subtitles were occasionally behind. Much of the humor of this piece came from the character insisting that he was not dreaming in various levels of exasperation. Through acting, the master convinced us of the character dreaming of his life within an enclosed dream. A sinister low voice – akin to the Grim Reaper – emerged in the voice of the Tengu (goblin) who wielded an unfurled fan, highlighting the danger of this dream-within-a-dream. From this emphasis, the character’s disarray upon waking up felt quite immersive.

There were some mistakes in places. The master before us was clearly taken aback when the electronic screens began suddenly climbing towards the ceiling. But the interruption provided him a way to slip back into character. Another time, for the story set in 1930s New York, he would sometimes insert a more modern reference – like Kanye West’s current state of mind, or the fast food joint Five Guys. Some of these seemed even accidental, but the way he brought us back to the moment was impressive. Perhaps the flexibility on display was the most admirable trait of the rakugo master before us.

As I mentioned earlier, the rakugo master showed a great interest in the global space for his art. This actually came out in the Q&A session. Naturally, many of us asked our questions in English. He did his best to answer in English, often taking pauses to respond. That said, every answer was elaborated. A big surprise was when he elected to give his answer entirely in Japanese and ask someone to translate for him. This happened at the time someone asked about the history behind rakugo authorship, which ended up providing a complex answer.

There was much to enjoy and appreciate in his performance. One of the most poignant moments for me was his discussion of the strict rakugo standards in Japan. Through seeing him today, I realized that rakugo could lean fully into a comedic routine, and be simultaneously touching and funny.  This reminded me of my favorite standup comedy performance – Hasan Minhaj’s Homecoming King back in 2016 (thereabouts at least). Every joke told fit the larger story of trying to find acceptance in America just after the horrifying events of 9/11. Now, this rakugo performance did not address the same level of despair. Still it captured that same great aspect of comedy to uplift through stories, not just jokes.