Briefly, for those unfamiliar, the manga focuses on the wheelchair-using man Itsuki
Ayukawa with spinal cord injury and able-bodied woman Tsugumi Kawana. They are
reunited by working for the same company – Ayukawa already there as an
architect, and Kawana joining as an interior designer. Through the series
events, they pursue a romantic relationship while becoming involved in barrier-free
design work as professionals.
Simply put, Aruga-sensei’s intensive research brings many aspects of life with
disability into the forefront. I really enjoy this grounded approach for two
reasons: 1) disability studies is more focused on real life than feminism and
2) this normalizes living outside of the norm. To draw Itsuki’s wheelchair, for
example, she painstakingly studies how to draw a wheelchair from reference
materials. Notably, Aruga-sensei works with a wheelchair-using architect from
Aichi Prefecture to help develop the character of Ayukawa as a professional.
Many other people contributed to this manga, which is another thing I love
about this series. The mangaka interviewed caregivers, social workers, and people
with mobility impairments. Even more unusual situations – such as the
devastation of strong earthquakes – appear in the manga, which also came up in
interviews.
This attention to detail comes out in very well framed art. Frustrations,
hospitalizations, falls, and more are depicted beautifully but realistically. Some
may see these depictions as “unflattering”, but I see them as critical
portrayals. Life is not always perfect or clean, and many people see disability
as a horror show. But it’s life, just like the rest of living beings. Sometimes
the depictions do feel a little *too* on the nose yet it’s never from the art
itself. I’m glad that the manga goes for
tough depictions instead of leaving things implied, indirect, invisible.
Without going too
deep into plot details, I especially enjoyed the story of Keigo and Kaede. There
are many, many other cool examples but you should just read the manga yourself.
In particular, Kaede has a prognosis of only several years to live – but they
hold a dream of living in an accessible house together, complete with a
restaurant inside. This plotline does such a nice job of decimating the idea
that people with disabilities are owed less because they are ‘less able’. Truly
a wonderful thematic throughline.
I most appreciated the sixth volume’s afterword where the mangaka talks about
her mother passing away during the serialization of Perfect World. Aruga-sensei
reveals that her mother acquired a degenerative brain condition in early
childhood, giving her an intimate relationship with a chronic condition. She
recounts losing friends, missing important milestones, and sometimes having a
tough relationship with her mother. Despite these challenges, Aruga-sensei
lovingly recounts supporting her mother all the way. In a way, though my condition
is muscle-based, I relate to worrying about how I impact others through my
disability. I feel a little lighter knowing that someone else worried about the
same circumstances and even put them into a manga.
Thanks to a manga like Perfect World, we see all kinds of “normal” life
beyond the able-bodied norm. Whether a character has a terminal condition, lacks
a limb, or is paralyzed below the waist, they are all welcomed in this series. One
small critique I have is that there are few characters *born* with a condition,
which ignores how many people have disabilities from birth. The manga also sometimes
struggles with balancing romantic plot with exploring disability – ultimately,
though, the fact it shows the romantic lives of people with disabilities is
still huge. Rather than worry about things Perfect World could have done
better….I simply want even more insightful stories about disability. Please read
this one.
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